Kaori Uemura: Kagami (Mirror) | Ramee RAM2204

Kaori Uemura: Kagami (Mirror)

£14.49

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Label: Ramee

Cat No: RAM2204

Format: CD

Number of Discs: 1

Release Date: 8th September 2023

Contents

Works

Bach, Johann Sebastian

Italian Concerto, BWV971
» II Andante (arr. for viol and harpsichord)
Viola da Gamba Sonata in D major, BWV1028
» Adagio - Allegro
» Andante

Couperin, Francois

Pieces de Violes 1728
» Suite no.2: Pompe funebre

Dolle, Charles

Pieces de viole, op.2
» Suite no.1 in G major

Hume, Tobias

Good Againe (The First Part of Ayres no.14)

Marais, Marin

Pieces de viole, Book 2
» Suite no.8 in A major: Fantaisie
Pieces de viole, Book 4
» Suite no.7 'D'un gout etranger': La Fougade
Pieces de viole, Book 5
» Suite no.3 in F major: Prelude en harpegement

Purcell, Henry

Dido and Aeneas
» Dido's Lament (arr. Ryosuke Sakamoto)

Artists

Kaori Uemura (viola da gamba)
Ricardo Rodriguez Miranda (viola da gamba)
Aline Zylberajch (harpsichord)

Works

Bach, Johann Sebastian

Italian Concerto, BWV971
» II Andante (arr. for viol and harpsichord)
Viola da Gamba Sonata in D major, BWV1028
» Adagio - Allegro
» Andante

Couperin, Francois

Pieces de Violes 1728
» Suite no.2: Pompe funebre

Dolle, Charles

Pieces de viole, op.2
» Suite no.1 in G major

Hume, Tobias

Good Againe (The First Part of Ayres no.14)

Marais, Marin

Pieces de viole, Book 2
» Suite no.8 in A major: Fantaisie
Pieces de viole, Book 4
» Suite no.7 'D'un gout etranger': La Fougade
Pieces de viole, Book 5
» Suite no.3 in F major: Prelude en harpegement

Purcell, Henry

Dido and Aeneas
» Dido's Lament (arr. Ryosuke Sakamoto)

Artists

Kaori Uemura (viola da gamba)
Ricardo Rodriguez Miranda (viola da gamba)
Aline Zylberajch (harpsichord)

About

The yamato word for mirror, 鏡 kagami, can be read as “kami (divinity) surrounding ga (self)”: if you look in a mirror, what you see is your own self surrounded by divinity. Kaori Uemura has called her tale Kagami, because she believes that music reflects the inner depths of the self in the same way as a mirror. Mirrors were used in art as a reflection of what is, and as an allegory of truth and wisdom, a means of knowing yourself as you are. This recording is also a tribute to the Baroque composers who saw music not only as a mirror of divine creation, but equally as a means of expressing human emotions through musical figures which could produce specific affects.

Sound/Video



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